The main box latch is the trigger for the table’s entire mechanical system. When the key is turned within the right side apron, it actuates a lever releasing a bolt from the bottom of the main box. Under the tension from the drive mechanisms, the main box is propelled forward while, simultaneously, the table top slides back. Before proceeding with the mechanisms, it’s necessary to mortise in the main box latch. 

This is a bit of a delicate operation. The latch mechanism has a 90° bend where the key connects which has to be mortised behind the lower rack guide. It also has a sleeve into which the key is inserted. This needs to be contained within the apron, not protruding from it. 

  

After a bit of drilling, sawing, and paring things finally slide neatly into place!

  

Next, the long portion of the mechanism must be mortised into the floor of the carcass.

  

Up to this point, we’ve seen the top racks and the drive mechanisms installed in the side aprons. The final pieces to address are the lower racks. While the tabletop attaches to and rides on the top racks, the lower racks mount and support the main box. Like the upper racks, the lower racks engage the drive mechanisms and span not only the apron, but also both legs. So, we need to be careful about their alignment. An additional complication is that the rear end of the lower guide is blind mortised into the rear leg, while the front end is grooved. The main box is supposed to be removed through this groove for assembly and maintenance. To hide them, the grooves get covered with dovetailed keys veneered to match the rest of the carcass, then covered with guilt bronze mounts. No one will ever know…

 I recently received an e-mail from Joe, a Kickstarter backer, inquiring about the progress of the marquetry rewards. Looking back, I realized that this was the last time I posted on this topic. Much too long without an update!

As discussed in that post, the red box in the figure shown below highlights the section I’m considering for the marquetry projects. I’m editing it to remove extraneous pieces that won’t make sense in that context, but it will include two flowers and a good portion of the ribbon binding the stems.

I used a modified double bevel technique for convenience. That is, the saw is held at a slight angle with respect to a line perpendicular to the surface of the veneer. This allows the top piece to perfectly conform to the bottom one when the waste is removed. No gaps! Veneer is cut two pieces at a time, each cut adding a new element. Slowly, the artwork takes shape.

Sometimes the pieces can become quite small and fragile. With this method, they don’t remain that way for long. They are quickly attached to the assemblage becoming part of the whole. The following image of the upper flower in-process provides a measure of scale.

As each flower is completed, it is cut into the background and the picture emerges. Once the piece has been mounted to its core, we’re looking at the back (glue) side in the image below, the binding paper is removed and a sealer applied. The lower flower can then be “engraved” and the resulting lines filled to add detail. There is still plenty of work to be done before this piece is “finished”.

Based on my current schedule, I plan to begin working on the backer marquetry as soon as the prototype is finished. Probably, this summer. The idea is that by working the marquetry all at once I will become conditioned to its intricacies, my efficiency will increase, and this will put me in good shape to create the final piece for the tabletop.